My training partner and beau is off to the World Championships in Athletics in Moscow, Russia! The competition kicks off this coming Saturday, August 10, with several track and field … Continue reading Pastel Portraits
In the first image, Emma, backlit by the overhead lamp, was reading on our sleepless overnight flight to London Heathrow. I sketched Emma’s foot (in her decidedly non-walking shoe) during a break our self-guided family walking tour around Rome (see below). The final portrait was created while attempting to use DaVinci’s proportion guidelines which I discovered in a book purchased at the Louvre.
I’ve found that there’s no subject matter quite like a squirmy sister…just kidding, Emma, you did great!!
I awoke one morning to find these words scrawled in a notebook:
my face morphs into wolf
I remember rousing myself from the murky depths of oncoming sleep just long enough to scribble these words in the dark before plummeting fully into dreamland. A stop motion video ran in my mind: a self portrait forming out of a mound of clay, then morphing into the portrait of a wolf.
With my camera set up above the work surface, the initial plan was to make a change in the clay, then momentarily remove my hands from the frame, and repeat. I would then be able to draw a series of frames from the video that could be strung together to form what looked like self-molding clay. However, I only paused to remove my hands about a dozen times before forgetting the plan altogether when I was swept away into the timeless art abyss (and subsequently becoming late for track practice). So instead of the labour intensive stop motion concept (which I will surely revisit), I just sped up the video to 1000x the original speed.
Seeing a finished piece of art is great, but I am also very interested in the process of its creation. With such accessible video editing and media sharing technology, this traditionally very private process can be easily shared, adding a whole new dimension to art viewing, and art creating.
Acrylic on canvas (2010)
Recognizing early in my art career that I can easily obsess over fine details, I decided to paint in the dark to silence my inner perfectionist. A lamp was arranged to light a side of my face while obscuring the surface of the canvas. I worked to replicate the light and dark tones that I saw in a mirror, realizing upon completion that I developed a bold contrast while staying within a fiery spectrum. Though I have been told the resemblance to my appearance is lacking, I am quite haunted by this silenced looking glass version of myself, a girl with a story to tell.